My Yamaha Pacifica 102S electric guitar

Much as I documented my life in cars, I’m writing here mostly for my own benefit. I have this guitar that I love, but there is limited information about it available online. I want a canonical place to link to when I write about this guitar. This post will be that canonical link, for myself at least.

Yamaha Pacifica guitar with light finish, single-cutaway body shape, and dark rosewood fingerboard on a stand on a hardwood floor.
Look at all that wood!

My guitar is a 1990s-era Yamaha Pacifica 102S. It isn’t some rare gem. You could buy one like it, or similar, at most music stores in the 1990s. You can still buy a modern Pacifica from Yahama today, but only in Stratocaster-shape (double-cutaway) or a signature model variation, still in the single-cutaway shape.

The basics

The Axebition reference page has the basic specs of the 102S. Wikipedia has some general info about the entire Pacifica lineup. The basic specs of the guitar, as far as I can tell, are as follows:

  • Body is a single-cutaway Telecaster-style body shape in alder (I can’t confirm this) with a natural finish (I can confirm this with my eyes).
  • The two pickups are both single-coil (probably cheap-ish in-house pickups from Yamaha) with a three-way pickup selector (bridge, both, neck).
  • The bridge is fixed with a string-through-body arrangement and six individually adjustable saddles.
  • Th controls are a volume & tone knob that both always sit at 10 for me.
  • The neck is maple with a rosewood fingerboard.
  • According to the specs on Axebition.com, the fretboard has a 13.75 inch radius, and the guitar a 25.5 inch scale-length. I can’t confirm these measurements, but they do match the specs on the modern models.
  • According to a difficult-to-read label on the back, this guitar was “Made by Kaohsiung Yamaha Co., Ltd. in Taiwan in accordance with specifications of Yamaha Corporation” and mine is stamped with model number MI02314.
Close-up of guitar body from fingerboard
Intimate close-up

Of all of these, the specs that matter the most to me and that I would look for in other guitars include:

  • The neck feel and shape – I’m used it it, and I like it. I presume this has to do with the scale-length, fretboard radius, neck shape, and string spacing. I also love the rosewood fingerboard. I’m not sure I could pass a blindfolded taste-test challenge, but don’t care, I like the feel of rosewood.
  • The fixed bridge – it’s solid, stays in tune, and is easy to adjust (which I do once every 20 years, apparently). I don’t need your fancy whammy bar (especially on a cheap guitar, where there’s no way it’ll stay in tune). If I even need to duel the devil, I’ve got a wah-wah pedal.
  • The body shape – I love a basic single-cut Telecaster-style body. I also like the look of an off-set or offset-tele, like those from Reverend, but haven’t played one.

My customizations

I’m not one for too much customization. In my digital work setup, I like to swim with the stream with as many of the default settings as possible and only change what really matters to me. There’s a cost to customization. You ‘own’ the change – maintaining the change, ending up with a unique set-up that makes it harder to work in other environments.

It’s the same for me with my guitar. Over the 20+ years I’ve had this guitar, I have made a few small changes. I’m not confident doing anything that involves cutting, filing, sanding, or anything else that isn’t easy to un-do.

Electric guitar headstock with light wood finish reading "Pacifica YAMAHA" with locking tuners
I didn’t buy it for the typography

I have made these small changes:

Close-up of locking guitar strap on electric guitar body

I don’t regret any of these changes, but none were dramatic changes to the playability of the guitar. They did reduce my wanderlust for buying another guitar though.

What is it to me?

The basic specs and my trivial modifications aren’t what make this guitar special to me. Rather, it was the story of how I bought it and the music I made with it that have made this guitar special to me.

I bought it from the long-defunct Matthew’s Music in Charlottetown. I remember seeing it, playing it, loving it, and then proceeding with a characteristically-bad price negotiation on my part. It was listed for $370. I asked the clerk if he would take $400 including taxes. He instantly replied: “Sold! Now that’s how to do business!”

I obviously left money on the table.

I paired this guitar up with a Fender Hot Rod Deville 4×10″ tube amp (it was so loud), and a few pedals (most importantly, a Big Muff Pi pedal) for most of the playing I did with my high-school band, Horton’s Choice. This same setup was used for the recording of our ill-fated (but special to me) album, The Borden-Carleton Sessions.

I later traded that amp down to a Traynor YCV40 40-watt tube amp that I hoped would be more manageable for playing around the house. This was still way too big and loud, as most of my playing happens when kids are sleeping these days. I later tried out a Fender Mustang Micro headphone amp (good), and settled on a Positive Grid Spark 40 modelling practice amp. This works well as a plenty-loud-for-the-living room amp, a digital interface for recording and modelling on the computer, and as a headphone practice amp.

I’m still happy with this old Yamaha Pacifica 102S guitar and haven’t played a guitar I’ve liked better. It’s got another good 20+ years in it yet.

Close-up of guitar body from fingerboard
Electric guitar headstock with light wood finish reading "Pacifica YAMAHA" with silver locking tuners, a black nut, and dark fingerboard
Close-up of back of guitar body with sticker reading: YAMAHA Made by Kaohsiung Yamaha Co., Ltd. in Taiwan in accordance with specifications of Yamaha Corporation
Back of electric guitar body with dents and scratches
Back of electric guitar headstock with light wood finish and locking silver tuners
Yamaha Pacifica guitar with light finish, single-cutaway body shape, and dark rosewood fingerboard on a stand on a hardwood floor.
 

The best guitar is the one you play

Just as the best camera is the one that’s with you, the best guitar is the one you play. My primary guitar is a inexpensive Yamaha Pacifica 102S that I bought sometime in the late 90s. I have upgraded few parts (tuners and the nut), but those upgrades didn’t make a huge difference, and were mostly driven by YouTube-fueled spend-lust.

Whenever I stop in the local music store, I take a bit of time to play some of the great guitars they have on display. Many of them cost five times what my guitar was originally. I hate them all.

The poor experience is a mix of factors. They have grimy strings corroding in the grease of a thousand guitar nerds. Many are set-up poorly (strings are too high off the fretboard, intonation is off, etc.). They’re always out of tune (fixable in the moment) and they usually have much lighter strings than I prefer (granted, a personal preference).

I can look at what appear (and sound like) amazing guitars online, but when I try to play something in person, I end up preferring my old Yamaha at home. This is a blessing, like being able to enjoy cheap coffee, cheese, or wine. I’m happy to have a comfortable guitar that works well for me. I know it’s not the one thing keeping me from writing the next great album.

On the other hand, I’m sure some of these guitars would be great for me if the music store would take the time to set them up well and create better conditions for playing. Come on, folks – this pocket isn’t going to grow a hole by itself.

 

An embarrassment of command prompts

In the past few years, I’ve noticed an increase in text-driven ways to control the software I use. The most prominent example is Spotlight on macOS (or the many 3rd party alternatives, and the similar tools on Windows and Linux systems).

Most of these tools work something like this: you use a keyboard shortcut (cmd+space, cmd+K, etc.) to summon a typing prompt. You can then type a variety of commands to trigger an action, like launch an application, search for a file, or perform a calculation.

I presume the origin of these types of text prompt interfaces are linked to two prominent text-input interfaces types:

  1. Web search – Google in particular has taught us to see a simple text input, and expect to be able find just about anything with it.
  2. Command line interfaces – the text-based terminal interfaces that come along with Linux/Unix systems are less forgiving than the Google search box, but they allow experts powerful capabilities by chaining together simple text-based tools.

These days, most of the systems I use have some incarnation of these command prompts:

  • Terminals (bash, zsh, etc.) – local and remote. In my work as Web designer and developer, I spend lots of time in a terminal either locally on macOS, or remotely on Linux-based Web servers.
  • System-wide search/launcher prompts (Spotlight or equivalent) – a system-wide prompt for quickly launching or searching.
  • Web-application command prompts – applications like Slack and Notion had keyboard shortcuts that trigger and application-level prompts to search or navigate within that app.
  • Text editor command prompts (VS Code, Sublime Text, etc.) – most development-focused text editing tools feature command prompts for performing actions or navigating text files. These are like other application-level command prompts, but seem to be particularly common in the domain of text editing, presumably because it’s already a keyboard-focused activity.

Text-based interfaces tend to be powerful and flexible, but not easily discovered. The issue of discovering capabilities is often addressed with auto-complete suggestions.

Text-based input also happens to be a relatively low-bandwidth model that works well on remote systems across a potentially slow network.

One, or many?

I find myself wanting for more consistency among these different types of commands prompts. Though some conventions are emerging, many applications have different keyboard shortcuts to trigger the prompts, and different syntax and behaviors within the prompts.

I’d like to see all of these systems become interoperable in the way of Unix-style command line tools. On a command line, I can “pipe” the output on one command into the input of another (indefinitely). The command prompts in macOS Spotlight, Slack, Notion, and my text editor live in silos, inaccessible to each other.

Slack and Notion both have concepts of “people” (usually prefixed with an @ symbol) and spaces (“channels” or “pages”). However, I can’t reference a Slack channel from Notion. Slack and Notion don’t know that when I refer to @Kelly in either system, I’m talking about the same person. This type of interoperability requires that: Everything should have a URL (sidenote: I think much of Slack’s effectiveness stems from how they do have a URL for every message, even though it’s a closed system).

There are some advantages to keeping each command prompt isolated in its own domain. This isolation allows each application to tailor the syntax and behavior of its command prompt to best match the type of content in that application. The more broad-reaching a system becomes, the more abstraction you must introduce. This abstraction can be powerful but abstractions can also leak and obfuscate.

Despite the drawbacks of a more universal system of interoperable command prompts, I still find myself wanting for a single universal command prompt that works across my entire system and can reach within each of the applications.

Also happens that voice command systems like Siri, Alexa, and whatever Google calls theirs, are becoming more popular. Infrastructure that makes application-level command prompts more interoperable could also open up more capabilities for voice-based control.

Editing note: This was a draft post I wrote and didn’t complete about two years ago, thinking I would build it into a great article full of images and references. Then, this week I saw much better posts on the topic from Chris Coyier and Maggie Appleton. The lesson: Press Publish.

 

Naming things is hard: Ingrid

I’ve noted before that naming things is hard and I like to celebrate naming done well. Last time it was a WordStar clone called WordTsar (hold for applause).

Today, via Ruk.ca, I came across a crossword building app called Ingrid. Bravo.

 

Buying as the last step rather than the first

When starting a productive or creative project, I find myself exaggerating the need for new tools, gear, or equipment before making any actual creative output.

  • I’d probably write some great songs if I just had that new guitar or amp.
  • It would be fun to do a podcast. Now, what are the best microphones.
  • I would get more exercise if I had a nice new pair of running shoes, or maybe an Apple Watch.
  • I could really get some great writing done if I had a new workspace, or a new desk and chair.

It’s obvious procrastination. Goods tools are important, but I often have what I need already. I at least have what I need to get started.

I’ve been enjoying playing guitar more again in the past year or two. I even started a bit of recording.

Next thing I knew, I had to have a bass guitar. Precious evenings were lost to scouring the internet for just what bass I should buy. Recognizing my premature leap to tool acquisition, I’ve tried to reverse the process by making a deal with myself.

Rather than thinking, if only I had a new bass guitar, I would write all these songs, I’m trying this instead: If I write and record five actual songs, then I will buy a bass.

They don’t have to be good songs, but they have to exist. As Chris & Dave repeat in the opening of each episode of their ShopTalk Show podcast: Just! Build! Websites! (replace building websites with whatever it is you want to do).

I can write and record songs without a new bass. If I never end up writing or recording anything, then I know it would have been a wasted purchase anyhow.

It’s been about six months so far, and I’m about 10% of the way to my goal. For those doing the math, that means I’ve got about half of one song. It remains to be seen if I’m someone who writes and records songs, or just a person who thinks of themselves as someone who writes and records songs.

 

Five-stars for not asking

If I recently bought a product or service from you or interacted with your sales or support staff online, and you did not send a follow-up email asking me to rate the experience: Thank you.

You get five-stars: ⭐️⭐️⭐️⭐️⭐️

 

The 432,210 KM selfie

Artemis I Flight Day 13: Orion, Earth, and Moon
Artemis I Flight Day 13: Orion, Earth, and Moon by NASA

I love this photo from NASA’s Artemis I mission. It has all of the elements of a great selfie: the subject in the foreground (showcasing both the worm and meatball logos), and some friends off in the background (in this case, all of humanity).

 

Broth conspiracy

My last two web searches were:

  1. “when was the last time someone was convicted of seditious conspiracy?”
  2. “chicken bouillon vs. chicken broth”

Our brains were not made to live in so many worlds at once.

For the record, the last successful seditious conspiracy charge in the US was in 1995 and bouillon and broth are interchangeable.

 

Instant web dev classic

For many web developers, A Complete Guide to Flexbox from CSS-Tricks.com is a pillar of our web developer reference material. It’s my externalized memory on how the flex feature of CSS works. I don’t have to remember how it works because I know I can look it up there. You can even download a poster version to hang on the wall.

Cartoon image of a smiling person with the text "An Interactive Guide to Flexbox"

Now there’s another great reference An Interactive Guide to Flexbox by Joshua Comeau. An instant classic.

 

Rough winter

Canada’s central bank is warning us to “brace for a rough winter”, so I’ve lined up snow-removal service for my driveway with Steve’s Snow Removal (no relation).