Author of O’Reilly’s Mind Hacks interviewed on CBC Radio’s Quirks & Quirks (available for download in MP3 and Ogg)
A surprisingly bold (and snarky) editorial about Canada’s stance on US missle defense by former Minister of Foreign Affairs, Lloyd Axeworthy: “there are times when truth must speak to power”
Music licensing keeping shows from DVD
A few years ago, I started a small petition on this site for the release of the Northern Exposure television series on DVD. I am mocked to this days by my friends and co-workers, and justifiably so, for having undertaken a cause of such massive dorkitude.
Since then, completely unrelated to my embarrassing crusade, Universal has released Season One and Season Two of the show.
Fellow die-hard Northern Exposure fan, Art Pattison, posted an update after the second season DVD release in a reply here Acts of Volition:
“The latest word on commercial releases by Universal is that since they did such a poor job on Season 2, by substituting much of the music which needed (expensive?) copyright approval by the artists with elevator muzak, many fans are complaining to Universal about what they call “fraud” (since the music is such an integral part of the story lines). As a result, Universal may not issue any more releases of our beloved Northern Exposure. Too bad! We would all lose if this happened!”
Another disappointed fan writes:
“Something was vaguely dissapointing about it and then I realised it was the annoying music which quite often simply fails to synch with the scenes in a convincing manner. Now it is hard to enjoy watching it once you realise what has been done.”
Apparently, the issue of licensing music for DVD releases of TV series’ goes far beyond Northern Exposure. Wired News writes about how Copyrights Keep TV Shows off DVD.
It’s sad to see a copyright issue holding back the release of shows that people want to watch and own. I’m not sure if it’s the television studios, the record companies, or both that are most to blame. Regardless, they’ll all lose out when they realize that fans will go underground and get copies of the original shows, soundtrack and all, without paying a cent to the record companies or studios.
The Free Software Foundations says to buy AMD chips rather than Intel to support a fully free BIOS
Interesting walkthrough of the evolution of a wikipedia article (flash with audio)
Roadster: Mapping on Linux
I spent last week in New England visiting some clients, friends, and geeks. The geeks part was at the Linux World Expo and Fedora Users & Developers Conference. I’ve posted some photos from the trip.
The Linux World Expo was comprised mostly of creepy salesmen at booths with microphones giving out penguin toys made by children in Malaysia (I presume). It was definitely aimed at corporate middle-management types. There was much talk of “deploying comprehensive integrated solutions on a L.A.M.P. stack. All about the stacks. It was worth visiting for a few hours if only to witness the sheer spectacle of it all.
I then visited the Fedora Users & Developers Conference (cleverly named FUDcon) at Photonics Center at Boston University. There were some interesting talks and some more interesting people. The contrast from FUDcon to the Linux World Expo was quite striking (salesmen talking loudly into cellphones vs. geeks, doing stuff). Video of the FUDcon talks will be posted on the FUDcon website soon.
The trip was also an opportunity to meet up with Ian McIntosh, who I had met at the fall Boston Gnome Summit. He is working on a project that I am very excited about. Roadster is a street mapping application for Gnome/Linux much like Microsoft’s Streets & Trips.
Ian is just getting going on the project, but it is already quite promising and has some key potential contributors interested. Carl Worth, maintainer of Cairo, the graphics package that Roadster uses to render map, was quite enthusiastic about the project and eager to help improve the rendering speeds (it’s pretty slow right now). Eric Raymond, who maintains the GPSD package for GPS tracking devices on Linux was also interested. My own friend and co-worker, Nathan Fredrickson is also helping out.
It was fascinating to see a young project spark enthusiasm and participation from people like that. Several people told me that Microsoft Streets & Trips was the only reason they still keep a Windows partition on their laptops and would love and alternative.
Roadster is still a young project, but there is a Roadster website, a development wiki, and a roadster-devel mailing list if you are interested in helping out.
“Companies don’t blog, people do.”
The trailer for the Hitchhiker’s Guide to the Galaxy movie looks surprisingly good. Excellent casting with the dude from The Office as Arthur Dent and Mos Def as Ford Prefect.
East Coast Music Award winners on Acts of Volition Radio
As I watched the East Coast Music Awards (ECMA) on CBC Television tonight, it occurred to me that I should put together an ECMA themed session of Acts of Volition Radio. Then it occurred to me that I’ve already played most of the songs that such a session would include.
- Gordie Sampson won five ECMAs last night. I played his song, Sunburn, which he played last night and for which he won Songwritter of the Year in Session 15.
- The Trews won Group of the Year and performed with Big Sugar singer/guitarist Gordie Johnson, who produced their record. I played their song Tired of Waiting in Session 13.
- Joel Plaskett performed and won Rock recording of the Year. I played his song Work Out Fine from the winning record, Truthfully Truthfully in Session 10. I also played a song by Joel Plaskett’s old band, Thrush Hermit in that session. Thrush Hermit were nominated for Alternative Recording of the Year in 1995.
- I’ve also played quite a few former ECMA winners:
- I played Sandbox in Session 16 and Session 4. They were nominated in 1996 for Album of the Year (Bionic) and Song of the Year (Curious – played in Session 16).
- Sloan wasn’t up for anything this year, but Chris Murphy introduced his old friend Joel Plaskett. Since 1993, Sloan has won 5 ECMAs and have had 31 nominations. Sloan are featured in Session 11, Session 3, and Session 2.
- Matt Mays, who I played in Session 7 was also not up for anything this year, but had 6 nominations and won New Artist of the Year in 2004.
- The Inbreds, played in Session 10 were nominated for Alternative Recording of the Year in 1998.
- Buck 65, featured in Session 9, has had four nominations and won Urban Recording of the Year in 2003 and Alternative Recording of the Year in 2004.
- Eyes for Telescopes were nominated for Alternative Recording of the Year in 2003 and 2004 Session 3. This session also included The Rude Mechanicals, who haven’t had any nominations (yet), but have played at ECMA showcases.
One band I haven’t played yet, but will probably include in my next session is Mir. They have had three ECMA nominations and did a fantastic performance at last night’s ECMAs. Also, Tim Chaisson, who’s track I played in Session 12, hasn’t won any ECMAs yet. I’d be willing to bet that he’ll have a mantle full of them in a few years.
Orwell’s War
George Orwell’s 1984 seems more pertinent and alive than ever upon a recent reading. Chapter 9 of his great book includes excerpts from a fictional manifesto of rebellion by the primary enemy of the ruling party, Emanuel Goldstein. Some of the excerpts are quite striking (in a “now-more-than-ever” kind of way):
Chapter III: War is Peace
“War, however, is no longer the desperate, annihilating struggle that it was in the early decades of the twentieth century. It is a warfare of limited aims between combatants who are unable to destroy one another, have no material cause for fighting and are not divided by any genuine ideological difference. This is not to say that either the conduct of war, or the prevailing attitude towards it, has become less bloodthirsty or more chivalrous. On the contrary, war hysteria is continuous and universal in all countries, and such acts as raping, looting, the slaughter of children, the reduction of whole populations to slavery, and reprisals against prisoners which extend even to boiling and burying alive, are looked upon as normal, and, when they are committed by one’s own side and not by the enemy, meritorious.”
“…in a physical sense war involves very small numbers of people, mostly highly-trained specialists, and causes comparatively few casualties. The fighting, when there is any, takes place on the vague frontiers whose whereabouts the average man can only guess at…”
“In the centres of civilization war means no more than a continuous shortage of consumption goods, and the occasional crash of a rocket bomb which may cause a few scores of deaths. War has in fact changed its character.”
“The primary aim of modern warfare […] is to use up the products of the machine without raising the general standard of living.”
“The essential act of war is destruction, not necessarily of human lives, but of the products of human labour. War is a way of shattering to pieces, or pouring into the stratosphere, or sinking in the depths of the sea, materials which might otherwise be used to make the masses too comfortable, and hence, in the long run, too intelligent. Even when weapons of war are not actually destroyed, their manufacture is still a convenient way of expending labour power without producing anything that can be consumed.”
“In past ages, a war, almost by definition, was something that sooner or later came to an end, usually in unmistakable victory or defeat.”
“War, it will be seen, is now a purely internal affair. In the past, the ruling groups of all countries, although they might recognize their common interest and therefore limit the destructiveness of war, did fight against one another, and the victor always plundered the vanquished. In our own day they are not fighting against one another at all. The war is waged by each ruling group against its own subjects, and the object of the war is not to make or prevent conquests of territory, but to keep the structure of society intact. The very word ‘war’, therefore, has become misleading. It would probably be accurate to say that by becoming continuous war has ceased to exist.”
To complete the trilogy of dystopian future novels, it is also worth revisiting Aldus Huxley’s Brave New World and Ray Bradbury’s Fahrenheit 451. These two novels predict a narcotic entertainment culture and dawn of violent reality television, respectively. Collect all three!
