The trailer for the Hitchhiker’s Guide to the Galaxy movie looks surprisingly good. Excellent casting with the dude from The Office as Arthur Dent and Mos Def as Ford Prefect.
Author: Steven Garrity
East Coast Music Award winners on Acts of Volition Radio
As I watched the East Coast Music Awards (ECMA) on CBC Television tonight, it occurred to me that I should put together an ECMA themed session of Acts of Volition Radio. Then it occurred to me that I’ve already played most of the songs that such a session would include.
- Gordie Sampson won five ECMAs last night. I played his song, Sunburn, which he played last night and for which he won Songwritter of the Year in Session 15.
- The Trews won Group of the Year and performed with Big Sugar singer/guitarist Gordie Johnson, who produced their record. I played their song Tired of Waiting in Session 13.
- Joel Plaskett performed and won Rock recording of the Year. I played his song Work Out Fine from the winning record, Truthfully Truthfully in Session 10. I also played a song by Joel Plaskett’s old band, Thrush Hermit in that session. Thrush Hermit were nominated for Alternative Recording of the Year in 1995.
- I’ve also played quite a few former ECMA winners:
- I played Sandbox in Session 16 and Session 4. They were nominated in 1996 for Album of the Year (Bionic) and Song of the Year (Curious – played in Session 16).
- Sloan wasn’t up for anything this year, but Chris Murphy introduced his old friend Joel Plaskett. Since 1993, Sloan has won 5 ECMAs and have had 31 nominations. Sloan are featured in Session 11, Session 3, and Session 2.
- Matt Mays, who I played in Session 7 was also not up for anything this year, but had 6 nominations and won New Artist of the Year in 2004.
- The Inbreds, played in Session 10 were nominated for Alternative Recording of the Year in 1998.
- Buck 65, featured in Session 9, has had four nominations and won Urban Recording of the Year in 2003 and Alternative Recording of the Year in 2004.
- Eyes for Telescopes were nominated for Alternative Recording of the Year in 2003 and 2004 Session 3. This session also included The Rude Mechanicals, who haven’t had any nominations (yet), but have played at ECMA showcases.
One band I haven’t played yet, but will probably include in my next session is Mir. They have had three ECMA nominations and did a fantastic performance at last night’s ECMAs. Also, Tim Chaisson, who’s track I played in Session 12, hasn’t won any ECMAs yet. I’d be willing to bet that he’ll have a mantle full of them in a few years.
Orwell’s War
George Orwell’s 1984 seems more pertinent and alive than ever upon a recent reading. Chapter 9 of his great book includes excerpts from a fictional manifesto of rebellion by the primary enemy of the ruling party, Emanuel Goldstein. Some of the excerpts are quite striking (in a “now-more-than-ever” kind of way):
Chapter III: War is Peace
“War, however, is no longer the desperate, annihilating struggle that it was in the early decades of the twentieth century. It is a warfare of limited aims between combatants who are unable to destroy one another, have no material cause for fighting and are not divided by any genuine ideological difference. This is not to say that either the conduct of war, or the prevailing attitude towards it, has become less bloodthirsty or more chivalrous. On the contrary, war hysteria is continuous and universal in all countries, and such acts as raping, looting, the slaughter of children, the reduction of whole populations to slavery, and reprisals against prisoners which extend even to boiling and burying alive, are looked upon as normal, and, when they are committed by one’s own side and not by the enemy, meritorious.”
“…in a physical sense war involves very small numbers of people, mostly highly-trained specialists, and causes comparatively few casualties. The fighting, when there is any, takes place on the vague frontiers whose whereabouts the average man can only guess at…”
“In the centres of civilization war means no more than a continuous shortage of consumption goods, and the occasional crash of a rocket bomb which may cause a few scores of deaths. War has in fact changed its character.”
“The primary aim of modern warfare […] is to use up the products of the machine without raising the general standard of living.”
“The essential act of war is destruction, not necessarily of human lives, but of the products of human labour. War is a way of shattering to pieces, or pouring into the stratosphere, or sinking in the depths of the sea, materials which might otherwise be used to make the masses too comfortable, and hence, in the long run, too intelligent. Even when weapons of war are not actually destroyed, their manufacture is still a convenient way of expending labour power without producing anything that can be consumed.”
“In past ages, a war, almost by definition, was something that sooner or later came to an end, usually in unmistakable victory or defeat.”
“War, it will be seen, is now a purely internal affair. In the past, the ruling groups of all countries, although they might recognize their common interest and therefore limit the destructiveness of war, did fight against one another, and the victor always plundered the vanquished. In our own day they are not fighting against one another at all. The war is waged by each ruling group against its own subjects, and the object of the war is not to make or prevent conquests of territory, but to keep the structure of society intact. The very word ‘war’, therefore, has become misleading. It would probably be accurate to say that by becoming continuous war has ceased to exist.”
To complete the trilogy of dystopian future novels, it is also worth revisiting Aldus Huxley’s Brave New World and Ray Bradbury’s Fahrenheit 451. These two novels predict a narcotic entertainment culture and dawn of violent reality television, respectively. Collect all three!
Live from the Formosa #3 is neither live nor from the Formosa, but I’m in it
Nat and Miguel from Novell respond (scroll down a bit) to the 1985 Bill Gates photos from Teen Beat
Consistency in Save Confirmation Dialogs in Gnome
For slice of readership to whom this type of thing is relevant, I have compiled an overview of of the inconsistencies in file-save confirmation dialogs in Gnome. There is also a page with screenshots of the dialogs in question. I’ve posted the overview to the Gnome desktop development mailing list for discussion.
If you don’t know or care about (or any combination therein) what I’m talking about, I thank you for your patience.
I’m stuck at my friend Dan’s house for the storm – there are photos
Ben Goodger, lead developer on Firefox has announced he is now working for Google (still working on Firefox though). Congrats Ben!
This Is Wonderland
I have a rule for evaluating new TV shows: All tv shows are bad unless proven otherwise.
This “guilty-until-proven-innovent” policy has served me well. Occasionally I miss out on a good show until years later, but it’s a worthwhile sacrifice.
This past year, I became aware of the un-badness (with apologies to George Orwell) of two shows, both from the CBC. First, Davinci’s Inquest, which has been running on the CBC for years, has become one of my favourite shows. A top-secret source tells me that it was considered for syndication on A&E, but was passed over for being too specific to a particular region (it is set in Vancouver). The show follows the coroner of Vancouver and my people on the ground on the West coast tell me it is remarkably true to life in the city. The season finale (2hrs) runs Sunday night on CBC.
Another CBC drama that has defied my expectations (which were admittedly quite low) is the new series This Is Wonderland. The show follows the dizzying work-life of Alice, a rookie defence layer, and Toronto’s Old City Hall serves as her wonderland rabbit hole.
The premise isn’t really that important. They key is that the show is well written, well directed, and well acted, all of which contribute to a compelling set of characters. It is somewhere between drama and comedy, being too funny to be a drama, and too heart-wrenching to be a comedy.
The second season starts Tuesday night on CBC. Recommended.
Mitchell Baker from the Mozilla Foundation gives a rundown of the day Firefox 1.0 was launched