In the news today: something bad has happened to somebody, somewhere.

I have noted to those around me on occasion that I find it interesting that “the news” has never been pertinent to my life in any way. With the simple exception of the local weather (which is inevitable anyway), no news story on the radio, from the newspaper, or on television has ever pertained to me enough to require any action or illicit a response of any kind on my part.

While curious, I never paid much attention to this somewhat bizarre phenomenon. However, today I was reading Neil Postman’s Amusing Ourselves to Death. In the book, Postman puts forth the proposition than in the previous century, our public discourse was shaped by the medium, print, into a discourse of reason and that the public discourse of this century has been shaped by the medium, television, into a discourse of superficial nonsense.

While exploring the concept of decontextualized news (basically everything that comes from the Associated Press, with anonymity of both author and audience) Postman asks:

“How often does it occur that information provided you on morning radio or television, or in the morning newspaper, causes you to alter your plans for the day, or to take some action you would not otherwise have taken, or provides insight in to some problem you are required to solve?”

Good question Mr. Postman. The answer is never.

 

A discussion of ‘skins’ strangly free of sexual innuendo.

Prompted by a post on KirbyFerguson.com about Winamp, I will now rant about skins:

For those of you that don’t know, “skins” is a term used to describe a program that can have many different appearances (colors, shapes, etc.). Winamp is the ultimate ‘skinable’ program. It pioneered the skinable program. The trouble is, skins are evil. Let me explain.

When an operating system is being designed (think MacOS 9 and X, Win9x/2k, BeOS, etc.), a relatively significant number of talented user interface experts design a complete set of interface controls including buttons, dialogs, sliders, inputs, displays, etc. On most major operating systems, these graphical items are brilliantly designed. Sure, you may get bored of looking at the same ones all the time, but they were designed to be looked at for a long time. They are good.

Now Johnny programmer wants his new program to look as cool as he does. If he uses the boring old default Windows controls, how will the world know that he is totally x-treme? This is where skins appear.

Perhaps the idea is somewhat more innocuous in its origin than I have suggested. The idea of letting the end user (a mysterious beast as far as many programmers are concerned) customize their program seems like a neat idea. They can have they program look like they want it to.

The trouble with customization is that most end users can’t handle their new found power. Joe Winamp user never spent 2 year with test subjects perfecting the most intuitive possible slider control. The other major problem is consistency. You may have noticed that every time you press “Save As…” in a major program, you get a similar looking dialog box. This way, you don’t have to learn a new dialog in every program since they all perform the same function.

Winamp isn’t the worst skinable program out there since the controls change appearance, but for the most part, remain the same size and in the same place, preserving at least some level of consistency.

Programs like Sonique allow you to have the program shaped however you like, putting the controls in any arrangement. Even Microsoft, who of all companies you would think would appreciate the value of consistency since they built the OS themselves, has jumped on the bandwagon. Their latest version of Windows Media Player is as flexible as Sonique. What really kills me about it is that the ‘classic’ skin, which looks like the old version of Media Player with the default windows controls is actually just a normal skin like any other made up of bitmap images that fake the appearance of the default Windows controls. If I worked on default Windows controls at Microsoft, besides being much wealthier than I am now, I would be irate.

Another big culprit in the new skinable world is the Mozilla project (or Netscape 6, don’t ask what happed to Netscape 5, it went the way of Microsoft Word versions 3, 4, and 5). Mozilla’s browser is totally based on skins and does not rely at all on the the operating systems default controls. This makes it ugly and slow (bitmap images use far more memory than the default OS controls).

Mozilla claims to have a good excuse for using skins rather than operating system controls. It allows them to develop for more operating systems with much less customization and it allows a consistent user experience across different platforms. The problem with this noble sounding idea is that most users don’t use more than one operating system. Much more important than consistency between Mozilla on Windows and Mozilla on Linux, a switch most users don’t make at all and a few do occasionally, is consistency between Mozilla on Windows and Microsoft Word for Windows, a switch many people make a hundred times a day.

I would love to have a version of Winamp, which, as Kirby said, is a fast and stable program, build on the default OS controls. I would also like to see similar a version of the Mozilla browser (fortunately it’s open source and someone is working on this).

Ahh… I feel better now. Thank you.

 

e-commerce is out. u-commerce is in.

Earlier in the year I was talking with a co-working about the hype surrounding e-commerce and the more recent m-commerce (“mobile commerce” – cell phones, PDAs, etc.). I put forth a proposition that soon enough, we’ll be able to buy anything we want in the context in which it arises. For example, if I’m watching TV and Chandler has a nice Gap sweater on (a scenario that arises more often than you’d think), I will be able to buy it right then, right there. If you are walking down the street and someone rides by with a kitbag you like, you’ll be able to order it, right then, right there (don’t ask me how, that’s not important).

While I’m sure this isn’t a particularly original idea, I thought I was quite clever at the time and semi-sarcastically coined the term u-commerce (ubiquitous commerce). While browsing Signal vs. Noise today, I discovered that VISA has appropriated my idea, and called it “universal” commerce.

I suspect their focus groups probably said, “males and females ages 7 to 58 don’t know what ‘ubiquitous’ means”.

 

What owns you?

The phone rings at my house. On the first ring everyone in their separate rooms and separate activities goes silent. Will someone answer it? It rings a second time. You could hear a pin drop as everyone holds their breath waiting to hear footsteps marching to answer. By the third ring it’s obvious that no one else is going to answer it and a stampede erupts (I suppose that would be a mixed metaphor). Every member of my family performs dangerous leaps over couches and lazy-boys. They stub toes on floor-board heaters. Anything to get to the phone before it goes silent. What if it was for me? Of course, if it’s missed (a situation that, as you can imagine, seldom arises) it’s everyone else’s fault.

The phone rings at a friend’s house. It rings again. And again. A few of them look up from their activities in the direction of the phone then back to whatever it was they were doing. A few more rings pass and the answering machine picks up.

Her family owns a phone. Our phone own us.

 

our lady peace: the age of spiritual rock stars

My opinions on Our Lady Peace vary wildly. On one hand, songs like Julia and Naveed from their first album, Naveed are truly great songs. They have impressed me in concert when I expected to be bored on several occasions: Letting six thousand people sing 4AM from start to finish; Hearing them cover the late Jeff Buckley’s song Eternal Life at dusk under a full moon; Playing a piano version of Julia they heard from a fan (this one is on schmaptser if you are a thief). These are good concert moments. The last time I saw them, I felt like I was an oldie-olson, since everyone else in the arena was a big-pants 14 year old (most of them passing around one communal joint). As we waited for the concert to start, I was seriously regretting attending, but once they took the stage, they impressed me once again.

On the other hand, I find Raine Maida (OLP’s singer) to be a pompous Bono / Thom Yorke wannabe. He is quite good at handling a stadium (a noteworthy skill for a rock star). However, he sometimes goes a little too far. At one concert, he had the audience in the palm of his hands until he went on an aside about how “it’s all about the music”. Dude, look in the mirror and repeat three times: “I am not Bono”.

I can assure you that my opinions are not at all swayed by the time Raine closed an elevator door in Matt’s face (ask him about it, he’ll be glad to tell you).

The Age of Spiritual MachinesAnyway, Now that you have my personal history of Our Lady Peace, I am going somewhere with this. Their new album, Spiritual Machines, is based on the book The Age of Spiritual Machines: When Computers Exceed Human Intelligence by Ray Kurzweil. This guy has an impressive resume:

  • invented the first text-to-speech machine in 1976
  • invented the CCD (flat-bed scanner) in 1975
  • invented the first font-indepented optical character recognition (OCR) in 1976
  • invented the first useful musical synthesizer in 1984

Kurzweil has also written on the subject of artificial intelligence. While I haven’t read Spiritual Machines yet, it’s in the mail. The flash animation currently on the front page of ourladypeace.com elegantly illustrates the transition point at which the resolution of a digital medium exceeds our ability to perceive. View the animation »

Our Lady Peace has also made a Napter-savvy marketing move. They have seeded Napster with full copies of the new album, only with a few voice-overs (from Ray Kurzweil himself, actually) identifying the album in each song. It’s not so much that you can’t enjoy the song, but enough that if you wanted to keep it, you’d still have to buy the real thing.

My point, if I have one, is that Our Lady Peace have done something somewhat interesting in their interpretation of Kurzweil’s book in a pop album.

I should also thank Our Lady Peace for bringing me the unlikely opportunity to see the worlds greatest and most underrated band, Catherine Wheel, at Summersault in Halifax last year.